Ragged and filthy, their feet bare, they wear grave, careworn expressions. For these children, life was nothing but hard work, empty bellies and the constant struggle for survival. The pictures, taken by photographer Horace Warner 100 years ago in Spitalfields in London’s East End, were later used by social campaigners to illustrate the plight of the poorest children in London.On these streets and alleys, hordes of urchins eked out a hand-to-mouth existence, fending for themselves while their parents worked 14-hour days in the factories and docks.Infant mortality was higher in 1900 than in 1800, as increasing numbers of families sought work in the cities. In the East End, nearly 20 per cent of children died before their first birthday. Poor families lived ten to a room with no clean water for washing and drinking.

Ragged and filthy, their feet bare, they wear grave, careworn expressions. For these children, life was nothing but hard work, empty bellies and the constant struggle for survival. The pictures, taken by photographer Horace Warner 100 years ago in Spitalfields in London’s East End, were later used by social campaigners to illustrate the plight of the poorest children in London.
On these streets and alleys, hordes of urchins eked out a hand-to-mouth existence, fending for themselves while their parents worked 14-hour days in the factories and docks.
Infant mortality was higher in 1900 than in 1800, as increasing numbers of families sought work in the cities. In the East End, nearly 20 per cent of children died before their first birthday. Poor families lived ten to a room with no clean water for washing and drinking.

(via mizhenka)

moika-palace:

A Muddy Morning in the Moscow Kremlin at the Beginning of the 17th Century, Apollinary Vasnetsov , 1913

moika-palace:

A Muddy Morning in the Moscow Kremlin at the Beginning of the 17th Century, Apollinary Vasnetsov , 1913

(via palettesandturpentine)

“31 July 1917

Sit in a train, forget the fact, and live as if you were at home; but suddenly recollect where you are, feel the onward-rushing power of the train; change into a traveller, take a cap out of your bag, meet your fellow travellers with a more sovereign freedom, with more insistence, let yourself be carried toward your destination by no effort of your own, enjoy it like a child, become a darling of the women, feel the perpetual attraction of the window, always have at least one hand extended on the window sill. Same situation, more precisely stated: Forget that you forgot, change in an instant into a child travelling by itself on an express train around whom the speeding, trembling car materializes in its every fascinating detail as if out of a magician’s hand.”
Franz Kafka, diary entry

Charlie Chaplin, 1911

Charlie Chaplin, 1911

(Source: factoseintolerant, via jamesdali)

thedailydingo411:

Niagara Falls frozen in 1911

thedailydingo411:

Niagara Falls frozen in 1911

lajetee:

Kafka’s “The Metamorphosis” first book edition, 1916.

Ridiculously disturbing.

lajetee:

Kafka’s “The Metamorphosis” first book edition, 1916.

Ridiculously disturbing.

fuckyeahchaplin:

A repost of another of my favourite young Charlie candids c.1916

fuckyeahchaplin:

A repost of another of my favourite young Charlie candids c.1916

(via drtuesdaygjohnson)


Lewis Hine, Texas c. 1913

Lewis Hine, Texas c. 1913

(Source: anormaux, via lesbohemiens-deactivated2013051)

Alfonse Van Besten, Stagecoaches at Gent, c. 1912

Alfonse Van Besten, Stagecoaches at Gent, c. 1912

laescrituradesatada:

James Joyce, 1915

laescrituradesatada:

James Joyce, 1915